On International Youth Day, Tate and the National Portrait Gallery are happy to announce a national tour of William Dobson’s Self-Portrait c.1635-40. The tour will focus on bringing together young people across the country, connecting this 17th century painting to a new generation. Jointly acquired in 2025 by Tate and the National Portrait Gallery, the artwork will tour to Hull’s Ferens Art Gallery and Oxford’s Ashmolean before returning to London to be shown at the National Portrait Gallery. The tour and supporting programme has been made possible from The National Lottery Heritage Fund, alongside generous support from Bjorn Saven CBE, David and Emma Verey Charitable Trust and Tavolozza Foundation.
The work has been on display at Tate Britain since November 2025, alongside Dobson’s Portrait of The Artist’s Wife c.1635-40. In October, the Tate Collective Producers will create an evening of music, workshops and performances with emerging artists inspired by the portraits to explore ideas of absence and reunion and art and intimacy. They will explore Dobson’s work, comparing portraiture from then and now to start conversations between centuries. The event will be exclusively for Tate Collective, Tate’s free scheme for young people aged 16 to 25 years old. Alongside this, young people can bring Dobson’s work into their classroom with a new resource on Tate Schools by Damali Ibreck that invites them to create self-portraits exploring identity, pose and expression.
Over three years, Self-Portrait will be on display in four UK venues, following the journey of the artist’s life and career as it moves around the country. Beginning in London, where Dobson was born and studied to become an artist, the painting will then travel to Hull where the first siege of the city in 1642 marked a major escalation in the conflict between King Charles I and Parliament during the build-up to the First English Civil War. From there, the painting moves to Oxford, where Dobson took up a position as the painter for King Charles I’s exiled court. To close the tour, the work will return to London, where Dobson moved following the fall of Oxford and where he lived until his death two months later.
The work will be presented in an exhibition at Ferens Art Gallery from 31 January to 23 May 2027, which will mark the start of the Gallery’s centenary year. Art Uprising! will explore the regions history of rebellion and creativity with Hull’s Civil War story at its centre. Here, young people from The Warren Youth Project will work with a musician to co-produce creative responses to the history of Hull at the time of Charles I. This will include a soundscape available to listen to alongside the exhibition, connecting Dobson’s Self-Portrait to contemporary practice and perspectives. The tour continues at Oxford’s Ashmolean from June to December 2027. The museum will commission an artist to respond to Dobson’s work through inclusive family workshops for children and young people.
The work returns to London from January to July 2028 where the National Portrait Gallery will bring together the tour partners’ collective research, local stories and contemporary responses, drawing on the experience of young people from the whole tour as part of their display.
Dobson holds a pivotal place in the story of British art. His painting of himself as a young man was made between 1635 and 1640 in London, before he arrived at the King’s court in Oxford, and is one of the earliest examples of English self-portraiture. An exceptionally rare work, it has an honesty and intimacy that defied the conventions of 17th century British art.
The joint acquisition of the work was made possible thanks to exceptional support from The National Lottery Heritage Fund, major support from Art Fund and the Deborah Loeb Brice Foundation, and additional support from the Portrait Fund, the Nicholas Themans Trust, Bjorn Saven CBE, David and Emma Verey Charitable Trust, John J. Studzinski CBE, The Leche Trust, The Murray Family, Tavolozza Foundation and other generous supporters.
Karin Hindsbo, Interim Director, Tate, said: “We are excited to see what young people around the county will produce in response to William Dobson’s remarkable self-portrait, particularly given he was potentially no older than 24 himself when he painted it. Dobson’s life and career are intertwined with an extraordinary period in English history. This tour will both connect that seismic era to the present day and bring this exceptionally important artist’s work to a whole new generation.”
Catharine MacLeod, Senior Curator, 17th-Century Collections at the National Portrait Gallery, said: “William Dobson’s exceptionally charismatic and compelling self-portrait exemplifies the artist’s skilful and bold painting technique, and is a key work in the history of British portraiture. Since its joint acquisition with Tate, we have been determined to share this painting as widely as possible, and this tour does exactly that. We are enormously grateful to The National Lottery Heritage Fund and all our supporters for making this ambitious partnership possible, and we look forward to welcoming the painting to the National Portrait Gallery in 2028.”
Cllr Jackie Dad, deputy leader for Hull City Council and portfolio holder for culture said: “We are thrilled to be working with the Tate and National Portrait Gallery to bring William Dobson’s self-portrait to Hull as part of the first exhibition that will kick-start the Ferens Art Gallery’s centenary year celebrations. Through the generosity of the National Lottery Heritage Fund, we are able to work with young people from The Warren Youth Project to respond musically to the painting and Hull’s rebellious role leading up to the Civil War.”
Dr Xa Sturgis CBE, Director of the Ashmolean Museum, said: “We are thrilled to be welcoming the arresting self-portrait of William Dobson to the Ashmolean almost four centuries after the artist arrived in Oxford to work for King Charles I and his court in exile during the Civil War. The self-portrait of the young British artist setting out on his brief career will hang alongside his intriguing Civil War group portrait painted in Oxford in the last year of his tragically short life and acquired by the Museum ten years ago. We are very grateful to Tate and the National Portrait Gallery for enabling this opportunity to explore the life and career of one of the first great British painters with our audiences.”
Stuart McLeod, Director of England – London & South at The National Lottery Heritage Fund, said: “We are delighted to support this exciting tour, which will bring an extraordinary work of art to young people and communities across the country. Thanks to National Lottery players, young people will have an opportunity to not only experience William Dobson’s Self-Portrait but also explore its relevance today through creative projects, collaboration and new interpretations. By connecting young people with heritage in places that shaped Dobson’s life and work, this project will spark curiosity, inspire creativity and help ensure the stories of our past continue to resonate with future generations.”